Following the world premiere’s “rapturous reception” (The Washington Post), the smash hit of the 2017 Santa Fe Opera season makes its West Coast debut at McCaw Hall! This innovative and crowd-pleasing portrait of Apple’s visionary co-founder “does what opera does best: giving audiences a glimpse into the inner life of its title character” (Marin Independent Journal). Bates’s score dazzles with a glossy mix of lyrical and rhythmic music, combining traditional and electronic instrumentation. Campbell’s compelling, funny, and touching libretto interweaves universal themes of communication and connection, treating its subject with respect and humanity.

Kevin Newbury’s sharp and “visually stunning” (ABQ Journal) staging utilizes state-of-the-art technology to artfully conjure up and skillfully transition between the opera’s 18 scenes. A remarkable example of heightened theatrical imagination.

Following the world premiere’s “rapturous reception” (The Washington Post), the smash hit of the 2017 Santa Fe Opera season makes its West Coast debut at McCaw Hall! This innovative and crowd-pleasing portrait of Apple’s visionary co-founder “does what opera does best: giving audiences a glimpse into the inner life of its title character” (Marin Independent Journal). Bates’s score dazzles with a glossy mix of lyrical and rhythmic music, combining traditional and electronic instrumentation. Campbell’s compelling, funny, and touching libretto interweaves universal themes of communication and connection, treating its subject with respect and humanity.

Kevin Newbury’s sharp and “visually stunning” (ABQ Journal) staging utilizes state-of-the-art technology to artfully conjure up and skillfully transition between the opera’s 18 scenes. A remarkable example of heightened theatrical imagination.

Following the world premiere’s “rapturous reception” (The Washington Post), the smash hit of the 2017 Santa Fe Opera season makes its West Coast debut at McCaw Hall! This innovative and crowd-pleasing portrait of Apple’s visionary co-founder “does what opera does best: giving audiences a glimpse into the inner life of its title character” (Marin Independent Journal). Bates’s score dazzles with a glossy mix of lyrical and rhythmic music, combining traditional and electronic instrumentation. Campbell’s compelling, funny, and touching libretto interweaves universal themes of communication and connection, treating its subject with respect and humanity.

Kevin Newbury’s sharp and “visually stunning” (ABQ Journal) staging utilizes state-of-the-art technology to artfully conjure up and skillfully transition between the opera’s 18 scenes. A remarkable example of heightened theatrical imagination.

Copland – Fanfare for the Common Man
Rossini – Overture to La gazza ladra
Grieg – Peer Gynt: Suite No. 2
III. Peer Gynt’s Homecoming
IV. Solveig’s Song
Johann Strauss Jr. – Tritsh-Tratsch Polka
Mason Bates – Mothership
Dvořák – Symphony No. 9 in E Minor, “From the New World”
IV. Allegro con fuoco
Alan Menken – Overture to Beauty and the Beast
Arturo Márquez – Conga del Fuego

Following the world premiere’s “rapturous reception” (The Washington Post), the smash hit of the 2017 Santa Fe Opera season makes its West Coast debut at McCaw Hall! This innovative and crowd-pleasing portrait of Apple’s visionary co-founder “does what opera does best: giving audiences a glimpse into the inner life of its title character” (Marin Independent Journal). Bates’s score dazzles with a glossy mix of lyrical and rhythmic music, combining traditional and electronic instrumentation. Campbell’s compelling, funny, and touching libretto interweaves universal themes of communication and connection, treating its subject with respect and humanity.

Kevin Newbury’s sharp and “visually stunning” (ABQ Journal) staging utilizes state-of-the-art technology to artfully conjure up and skillfully transition between the opera’s 18 scenes. A remarkable example of heightened theatrical imagination.