PROGRAM NOTES

Alternative Energy is an ‘energy symphony’ spanning four movements and hundreds of years. Beginning in a rustic Midwestern junkyard in the late 19th Century, the piece travels through ever greater and more powerful forces of energy — a present-day particle collider, a futuristic Chinese nuclear plant — until it reaches a future Icelandic rainforest, where humanity’s last inhabitants seek a return to a simpler way of life.

The idée fixe that links these disparate worlds appears early in “Ford’s Farm, 1896.” This melody is heard on the fiddle — conjuring a figure like Henry Ford — and is accompanied by junkyard percussion and a ‘phantom orchestra’ that trails the fiddler like ghosts. The accelerando cranking of a car motor becomes a special motif in the piece, a kind of rhythmic embodiment of ever-more-powerful energy. Indeed, this crank motif explodes in the electronics in the second movement’s present-day Chicago, where we encounter actual recordings from the FermiLab particle collider. Hip-hop beats, jazzy brass interjections, and joyous voltage surges bring the movement to a clangorous finish.

Zoom a hundred years into the dark future of the “Xinjiang Province, 2112” where a great deal of the Chinese energy industry is based. On an eerie wasteland, a lone flute sings a tragically distorted version of the fiddle tune, dreaming of a forgotten natural world. But a powerful industrial energy simmers to the surface, and over the ensuing hardcore techno, wild orchestral splashes drive us to a catastrophic meltdown. As the smoke clears, we find ourselves even further into the future: a Icelandic rainforest on a hotter planet. Gentle, out-of-tune pizzicato accompany our fiddler, who returns over a woody percussion ensemble to make a quiet plea for simpler times.